Tuesday, May 18, 2010

a suitcase full of grey


1001 Nichts
1002 Ungewißheit
1003 Vorahnung
1004 Nebel
1005 trüber Tag
1006 bedeckt
1007 verhalten
1008 Elegie
1009 verstimmt
1010 Langeweile
1011 dinstingiert
1012 Melancholie
1013 diskret
1014 steril
1015 Verzicht
1016 monoton
1017 morbid
1018 Verklemmung
1019 muffig
1020 Nieselregen
1021 Dämmerung
1022 November
1023 Trübsinn
1024 Monogamie
1025 alles Scheiße
1026 kraftlos
1027 Erschöpfung
1028 Hemmung
1029 Leid
1030 getragen
1031 verloren
1032 nimmermehr
1033 Reue
1034 Versagung
1035 Misere
1036 große Misere
1037 Depression
1038 düster
1039 Klage
1040 hoffnungslos
1041 völlig hoffnungslos
1042 Abschied
1043 Finsternis
1044 Untergang
1045 letzter Gruß

exhibition on herbert hirche opens this week at one of my favourite museums, the museum der dinge in berlin.

Friday, May 7, 2010

new year's resolution 2010 / note to self

- avoid judgmental conversations
- avoid generalisations
- avoid the phrase "früher" ("it used to be")
ps: resolution_09 was "here and now" and it did actually make a difference

Thursday, May 6, 2010

some of my friends are having fun

watching this made my day today (watch it on youtube, half of the frame is cut off here and i don't know how to change the settings)

und jedem Anfang wohnt ein Zauber inne

STUFEN

Wie jede Blüte welkt
und jede Jugend dem Alter weicht,
blüht jede Lebensstufe,
blüht jede Weisheit auch und jede Tugend
zu ihrer Zeit und darf nicht ewig dauern.

Es muss das Herz bei jedem Lebensrufe
bereit zum Abschied sein und Neubeginne,
um sich in Tapferkeit und ohne Trauern
in and're, neue Bindungen zu geben.

Und jedem Anfang wohnt ein Zauber inne,
der uns beschützt und der uns hilft zu leben.

Wir sollen heiter Raum um Raum durchschreiten,
an keinem wie an einer Heimat hängen,
der Weltgeist will nicht fesseln uns und engen,
er will uns Stuf' um Stufe heben, weiten!

Kaum sind wir heimisch einem Lebenskreise
und traulich eingewohnt, so droht Erschlaffen!
Nur wer bereit zu Aufbruch ist und Reise,
mag lähmender Gewöhnung sich entraffen.

Es wird vielleicht auch noch die Todesstunde
uns neuen Räumen jung entgegen senden:
des Lebens Ruf an uns wird niemals enden.
Wohlan denn, Herz, nimm Abschied und gesunde!

Hermann Hesse

Monday, April 19, 2010

re:publica

talks i listened to or left at re:publica 10
jeff jarvis - the german paradox (interesting+entertaining, aber zu kurz gegriffen)
marc rene gardeya - augmented reality (waste of time, früher rausgegangen)
melissa gira grant - sex and internet (entertaining)
christian heller - identitätskriege (already forgotten, überflüssig)
martina godesa - die laptop klasse (interessant)
andre spang - die blog schule (interessant)
geocaching und lernen (früher rausgegangen)
bre pettis - maker bot (belanglos)
alexander endl, ronny schmelzer - kinder ans netz (belanglos, früher rausgegangen)
jens trapp - the bigger picture (interessant, workshop)
patrick singer - google werkzeuge (interessant, workshop)
kristian basler - vernetzte intimität (belanglos)
miriam meckel - this object cannot be liked (brilliant)


missed it, but want to check it online
peter kruse - what's next
peter sunde - flattr
karsten gerloff - die freiheit über den wolken
christian neff - die iphone klasse
julian assange, daniel schmitt - wikileaks
das andere geschlecht/sexismus im internet
anna wizorek - ich schreibe doch nur ins internet rein

teresa bücker - liebe ist für alle da / new story telling
johannes kleske, igor schwarzmann - playfull cities
privacy accross the atlantic

Thursday, April 8, 2010

sketch

i never thought about it like this

Saturday, March 27, 2010

wien

handmade toys by children and viennese art at leopold museum / vienna between the wars at wien museum am karlsplatz / madness and modernity at wien museum / prince eugen at belvedere / staying at my favourite hotel with daily recommendations at the breakfast table (including the lovely waitress warning you: "there is a spelling mistake. it is not 20 degree outside, so do take a jumper)

london

silicon roundabout and no tea at shepherdess cafe / saying hello at what / the gurken from underneath /waking up over bethnal green / candice breitz's twins (factum) at white cube / crossing a useless bridge with anthony / delicious dinner at the ripe tomato surrounded by teenage girls / chatroulette with friends and family / 70ies bday at the cow / victoria and albert exhibition at the buckingham palace / identity exhibition at the wellcome trust / lady delancey exhibition at the sir john soanes museum / decode, quilt and jewellery exhibition at the v&a / farewell dinner at delicious no1, which now has a different name

brüssel

grand place by night / manneken pis with and without clothes, by day and by night / chocolate, vintage and antiques with christine / shopping for african fabrics in waversesteenweg in matonge / driving around the eu buildings with isabella / paper costumes in renaissance style and hearts from all ages / schnickschnack shoppen in kartuizerstraat / mexican art exhibition (frida kahlo was too full, discovered alebrijes instead / one gaufre, no moules frites
unfortunately coudn't make it to felix gonzales-torres, dogs of war

Wednesday, March 3, 2010

ok go go in one go again


they are just so brilliant. i love it how they incooperated themselves and the sound into this brilliant fischli+weiss setup. big drama.
the other ones they did.

Monday, March 1, 2010

generationenwechsel

"she she pop und ihre väter - TESTAMENT – VERSPÄTETE VORBEREITUNGEN ZUM GENERATIONSWECHSEL – NACH KöNIG LEAR".
theater at its best. eine freie adaption des shakespear klassikers, die elegant die brücke ins hier und jetzt und für mich relevante schlägt, wie ich es so noch nicht gesehen habe. das private ist ausnahmsweise tatsächlich mal für eine öffentlichkeit relevant. die inszenierung der befindlichkeiten des mitte-dreißigjährigen berliner bildungsbürgertums, die ausnahmesweise nicht eine reine nabelschau ist, sondern brisanz und relevanz hat.
bühnenmittel (kostüm mit historischen andeutungen; sesselthrone, projizierte ahnengalerie und gemeinsamer esstisch; musik für emotion und erinnerung und videoprojektion als ausschnitt=vergrößerung von details des bühnengeschehens) zum geringen teil annektiert (wooster group, nature theater of oklahoma) und als eigenes, geschicktes erzählmittel eingesetzt.
und ja, ich hatte nie darüber nachgedacht: es gibt kein ritual, daß für den familiären generationenwechsel als hilfe dienen kann.
zugehört, gelacht, geweint und nachgedacht. eben theater at its best.
reaktionen

Monday, February 22, 2010

berlinale 2010 (done)

son of babylon
neukölln unlimited
tanzträume
wiegenlieder
greenberg
same same but different
besouro
sunny land
red, white and the green
the kids are allright
eine flexible frau
jud süß - film ohne gewissen
putty hill
die haushaltshilfe
wags
claire denis live
...
na pusto
gleb's film
alle meine väter

daydreaming at night



Morning comes upon us
To impose another day
Though I might try to force myself to sleep

Why should i
Face up to another waking day
When there's a chance you'll come to me
In dreams

The world just keeps right on
Turning anyway
While I stay home and watch the shadow play

Innocence is lost into the dark
If I were dynamite would you provide the spark?

Sunday, January 17, 2010

traces left behind

"vogelfrei" - i had seen that film as a teenager and all i can remember is, that it impressed and irritated me a lot and that it was about this landstreicher, this girl on the road, who would never say "thanks" or "please".
a guy i vaguely knew but liked a lot, had recommended it to me. together with "zementgarten" and "tee im harem des archimedes" - (and "birdie" but i did not like that one so much). i didn't really know that guy, we hardly saw eachother, sometimes bumped into eachother at a party or a concert of the local band. i cannot even recall his name. but he left a mark, a quiet one, a beautiful one. and so i had to think about other people i met at some point in my life, who were important for a while and to a certain degree shaped the way i perceive the world. and i don't have a clue where they are now, what they do, if they are still alive.

two days ago i found out by chance, that this film will be screened at a cinema nearby, that the original title is "sans toit ni loi" that it is by wonderful agnes varda, who was also there in person, and stars young sandrine bonnaire. saskia walker did the interview after the screening, a transcript can be found in revolver 24.
the film starts with the girl lying dead at the side of the road. in the voice-over varda says: "since nobody claimed the body, it was burried at the local cementary. this victim of a natural death did not leave a trace. i ask myself who of those who knew her as a child still remember her. the people who recently met her, do remember her. and with the help of their statments i can recount the last few weeks of her life. they were all impressed by her. when they spoke about her, they did not know that she was dead. i did not tell them and also did not mention her name: mona berger. i myself know little about her. but i believe she came from the sea."
a film about what it takes and what it means to be independent. and whether independence and freedom are the same. and how far you can go before it kills you.

a song written for a friend who had died



Mais c'est la mort
Qui t'a assassinée Marcia
C'est la mort
Tu t'es consumée Marcia
C'est le cancer
Que tu as pris sous ton bras
Maintenant tu es en cendres, cendres
La mort c'est comme une chose impossible pour toi
Qui est la vie même Marcia
Et même à toi
Qui est forte comme une fusée
C'est la mort qui t'a emmenée
Marcia Marcia Marcia Marcia Marcia

Sunday, January 10, 2010

william lamson

beautiful work. these are my favourites:
emerge
vital capacity
levitation excercise
and interventions.
reminds me of harrison and wood. and of course roman signer.
via david

Saturday, January 9, 2010

Saturday, January 2, 2010

love = respect+admiration+trust

...says hal hartley.

watching movies

1.1.10: wanted to watch "fantastic mr fox" at the cinema and then realized that it will not be released until may.
watched "squid and the whale" on dvd instead, not realising (until i was looking for background information about it online) that it was made by the same bunch of people.
dialogues in "squid and the whale" feel like daniel nocke met hal hartley.
"margot at the wedding" seemed more original to me. both are by noah baumbach.