Showing posts with label athome. Show all posts
Showing posts with label athome. Show all posts
Saturday, March 27, 2010
wien
handmade toys by children and viennese art at leopold museum / vienna between the wars at wien museum am karlsplatz / madness and modernity at wien museum / prince eugen at belvedere / staying at my favourite hotel with daily recommendations at the breakfast table (including the lovely waitress warning you: "there is a spelling mistake. it is not 20 degree outside, so do take a jumper)
london
silicon roundabout and no tea at shepherdess cafe / saying hello at what / the gurken from underneath /waking up over bethnal green / candice breitz's twins (factum) at white cube / crossing a useless bridge with anthony / delicious dinner at the ripe tomato surrounded by teenage girls / chatroulette with friends and family / 70ies bday at the cow / victoria and albert exhibition at the buckingham palace / identity exhibition at the wellcome trust / lady delancey exhibition at the sir john soanes museum / decode, quilt and jewellery exhibition at the v&a / farewell dinner at delicious no1, which now has a different name
brüssel
grand place by night / manneken pis with and without clothes, by day and by night / chocolate, vintage and antiques with christine / shopping for african fabrics in waversesteenweg in matonge / driving around the eu buildings with isabella / paper costumes in renaissance style and hearts from all ages / schnickschnack shoppen in kartuizerstraat / mexican art exhibition (frida kahlo was too full, discovered alebrijes instead / one gaufre, no moules frites
unfortunately coudn't make it to felix gonzales-torres, dogs of war
unfortunately coudn't make it to felix gonzales-torres, dogs of war
Tuesday, June 2, 2009
"der große malspaß" by diceindustries
currently at the kabinet. more to see and to buy.
reminds me of "comic abstraction" at the moma ny. and of rachel whitread.
wie schon bei der max ernst ausstellung liegt der reiz darin, die arbeiten im original zu sehen. in der gedruckten reproduktionen kann man die unterschiedlichen arten von papier nicht mehr erkennen, die verschiedenen schichten der collage werden zu einem bild, die klebespuren sind weg, ebenso wie die kleinen korrekturen und schumeleien.
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